A girl arrives at the barbershop with hair everywhere and leaves with the freshest fade. The adventure starts when the narrator walks into the barbershop, where Black folks are working, styling, sitting, and talking. The child sits and asks for "THE FRESHEST FADE UP ON THE BLOCK!" Instead of getting right to it, the hairdresser suggests other options--a trim, an Afro, cornrows-- and cuts bit by bit. As the girl's hair slowly gets shorter, other patrons suggest different options, like spikes, twists, or locs. Time passes as the suggestions keep pouring in, and the hairdresser and the child's mother become visibly distressed. Finally, it all comes to an end when the child's hair is short enough for her to say, "Just line me up." The rhyming text is great fun to read, with perfect rhythm and style, though at times it can be slightly difficult to tell who is talking. The call and response detailing myriad creative Black hairstyles is both a humorous romp and a glorious celebration of Black beauty. The gentle message of a girl choosing her own look despite others' attachment to her long hair is neither lost nor overdone. Thomas' illustrations attend to every detail and exude energy, community, and warmth as they cycle through interesting characters and the narrator's many different looks en route to her chosen fade. (This book was reviewed digitally.) This fun, powerful, and empowering tale belongs on every shelf. (Picture book. 3-8) Copyright (c) Kirkus Reviews, used with permission.

PreS-Gr 1--In rhythmic text and hilarious art, Grant and Thomas put boots on the ground in a barber shop where absolutely everyone has an opinion. At ten o'clock in the morning, a Black mother and child walk into a shop called Chrissy's Barber for "The freshest fade up on the block!" It's two o'clock before they emerge from an odyssey of hairstyles, perhaps created by Chrissy herself, cheered on by the Greek chorus of other customers: "How 'bout a trim that tucks it in?/ A frizzy 'fro that's neat and round./ Or parted with a parting comb and cornrows braided to the ground." Spikes? Gel? Puffs? This goes on for pages, until the beleaguered child and barber have clearly had enough! Vivid use of color and expressive faces show the eagerness of the onlookers, the exasperation and woe of the key players (some of the spreads are explosive), and the joy when the child, in a yellow skirt and very fresh fade, shaved up the sides and squared across the top, heads out the door. The neighborhood shop-around-the corner mood is perfect; the triumph of getting just what you want is served up with precision. Children will love poring over the pictures, while adults will feel their blood pressure rising. Included is a gallery of hairstyles that range from locs and rows to waves and 'fros, on children with skin colors that are an array of light to deepest brown, including a child with vitiligo, a condition that also appears on a character inside the book. VERDICT A winner-takes-all glimpse of one of childhood's major milestones, taking agency over fashion choices, personality, and style.--Kimberly Olson Fakih

A Black child narrator in search of a new look for "my bushy, brownish, biggish hair" only wants one thing at the neighborhood barbershop: "THE FRESHEST FADE UP ON THE BLOCK!" But everyone at the bustling establishment has opinions about a fetching new hairstyle: one by one, they suggest an Afro, cornrows, "a tangly tousled top," and "waves.... Or high-top fades." In the end, the child gets their way, asking for more off the top until receiving a "clean-cut, classic curly crop. THE FRESHEST FADE UP ON THE BLOCK." In playful, rhyming lines that give voice to a community's fond, well-meaning chorus, Grant (My Hair Is Beautiful) pays tribute to the beautiful versatility of Black hair while emphasizing the importance of a kid staying true to themself. Giving special attention to texture and curl pattern, saturated art by Thomas (Stacey's Extraordinary Words) changes perspective across each spread, picturing brown-skinned barbershop employees and patrons of many shades wearing a variety of hairstyles. It's an affirming, communal take on a routine barbershop visit, starring a cool, collected child who knows their mind. Ages 3--7. Author's agent: Ammi-Joan Paquette, Erin Murphy Literary. Illustrator's agent: Chad W. Beckerman, CAT Agency. (Nov.)

The protagonist of this picture book has long, beautiful curls, but today she wants to change her look. She and her mother head to Chrissy's Barbershop, which is bustling. The girl takes a seat in her barber's chair and announces that she wants the flyest, freshest fade. In hilarious, boisterous barbershop style, everyone tries to get her to change her mind, suggesting cornrows, waves, and even spikes. She's overwhelmed, but she stays the course and ends up with the cutest curly fade that her barber can provide. Thomas' illustrations are as fresh as the girl's new look, pulling in vibrant colors and a graffiti-mural style. Details within the pictures offer young readers clues to help decipher the simple, gently rhyming text. The unisex barbershop, staffed by many women barbers, provides a noteworthy setting, as this reflects the growing number of women becoming barbers, often specializing in children's hair. As the Crown Act raises awareness of a person's right to wear their natural hair and to have ownership over their own bodies, this book can help adults have conversations on these topics with children. More broadly, this book is perfect for kids learning about self-expression, confidence, and decision-making, and the energetic illustrations and humorous story line provide a great reading experience for any child, whether they are familiar with barbershops or not.